While crafting jewelry, my priorities lie with good and recycled materials. My jewelry is made by hand, and I want to tell old tales and myths in the form of gold or silver.
Visual design and illustration go hand in hand with crafting; the tales told by jewelry are completed by illustrations.
My jewelry has an experimental design style; sometimes jewelry can be quite simple in overall appearance but full of details, or vice versa.
I like to use small parts on my jewelry to bring it to life with a sound: chains, stones, or silver. When the small parts cling to one another, it makes a small ting, which I like to call “kilahus”.
I find inspiration for my jewelry designs in Finnish epic poetry, Kalevala, and Scandinavian Edda. That’s why most of my jewelry has some lore around it; I want to tell these old stories, tales, and myths onward in the shape of jewelry.
Even though Kilahus isn’t a business yet, I’ve been crafting jewelry under this name for a few years.
What is Kilahus, and how was the name born? The word “kilahus” means a small ting or a cling – the sound that happens when you tap glass with your nails, for example. While making jewelry, the soundscape is wide: tinking, rattling, snapping, the sound when a piece of jewelry or a gemstone drops on the floor, and the grunting of the jeweler when they search for the dropped piece.
In the Nordics, old tales were told by singing, and since jewelry can’t sing (well, not yet), it needs some other way to tell the tales onward. This is why I like to add something, what makes the sound in the jewelry.
I remember when I was young, I swore I wouldn’t ever do handicrafts for a living. Well, here I am! I come from a family where everyone does handicrafts, so it feels natural to me to follow the path as a jeweler.
© Kilahus
2018-2023